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Tuesday, January 8, 2013
This Wireless Blender Is Your First Step to a Cord-Free Kitchen
Ryan Gosling Explains Why 'Gangster Squad' Isn't All That Gangster
'We were playing cops, ultimately,' actor says of his role in the upcoming Ruben Fleischer-directed crime drama.
By Kara Warner
Ryan Gosling in "Gangster Squad"
Photo: Warner Bros
Source: http://www.mtv.com/news/articles/1699832/gangster-squad-ryan-gosling.jhtml
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Stocks drag S
Stocks fell Monday with the?S&P 500 dropping 4.58 points to close at 1,461.89.?Bank?stocks?ended the day little changed.
Traders work on the floor of the New York Stock Exchange, Monday. With the "fiscal cliff" deal behind them, stock traders are now shifting their focus to corporate profits.
Brendan McDermid/Reuters
EnlargeInvestors started the week on a cautious note, pulling the Standard & Poor's 500 index down from the five-year high it reached Friday.
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The move lower on Monday is likely the result of traders taking some winnings off the table after the?stockmarket's surge last week, said Sam Stovall, chief equity strategist at S&P Capital IQ.
Investors are also preparing for corporate America's seasonal parade of earnings reports, which starts Tuesday.
"You can summarize it as profit-taking and preparation," Stovall said. "Investors are digesting some of those gains from last week and positioning themselves so they're not too far extended if fourth-quarter earnings slip a bit."
The S&P 500 fell 4.58 points to close at 1,461.89.?
Monday, January 7, 2013
'Small Animal Regional Anesthesia and Analgesia'
![[ Back to EurekAlert! ]](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_upf5veLFuAZabIyRNh5AwRHf63-UR2Vmb84Vp_d7L7CsMw8qztVSdKJpX5o_klAGyVOIT8Q3dE9dgexfec_8PxDOhuZTynR8XxAftFs_E=s0-d){kind=small}
Public release date: 7-Jan-2013[ | E-mail |
Share ] Contact: Michelle Martella
201-748-6145
Wiley
Wiley is pleased to announce the publication of an up-to-date, concise resource for performing local anesthetic techniques in small animal patients.
Small Animal Regional Anesthesia and Analgesia provides practical, clinically oriented procedures for performing common locoregional blocks and is organized logically by body system.
The first book to draw information on this topic into one resource, Small Animal Regional Anesthesia and Analgesia is equally useful as a comprehensive reference and as a quick source of information with checklists and pictures to assist with performing various blocks in practice.
Small Animal Regional Anesthesia and Analgesia provides an invaluable tool for veterinary anesthesiologists and practitioners who incorporate local and regional anesthetic techniques into their small animal practices.
To speak to the editors or for a review copy of Small Animal Regional Anesthesia and Analgesia, please contact: Michelle Martella at Wiley Tel: +1 201-748-6145 email: mmartella@wiley.com
Small Animal Regional Anesthesia and Analgesia
January 2013 304pp
978-0-8138-1994-5 Electronic Editions Available
$124.99; CAN $136.99; 96; 79.99
About the Editors
Luis Campoy, LV, CertVA, DipECVAA, is a Senior Lecturer in the Section of Anesthesiology and Analgesia at the Cornell University College of Veterinary Medicine.
Matt Read, DVM, MVSc, DACVA, is an Associate Professor in the Faculty of Veterinary Medicine at the University of Calgary.
###
About Wiley
Founded in 1807, John Wiley & Sons, Inc. has been a valued source of information and understanding for more than 200 years, helping people around the world meet their needs and fulfill their aspirations. Wiley and its acquired companies have published the works of more than 450 Nobel laureates in all categories: Literature, Economics, Physiology or Medicine, Physics, Chemistry, and Peace.
Wiley is a global provider of content and content-enabled workflow solutions in areas of scientific, technical, medical, and scholarly research; professional development; and education. Our core businesses produce scientific, technical, medical, and scholarly journals, reference works, books, database services, and advertising; professional books, subscription products, certification and training services and online applications; and education content and services including integrated online teaching and learning resources for undergraduate and graduate students and lifelong learners. Wiley's global headquarters are located in Hoboken, New Jersey, with operations in the U.S., Europe, Asia, Canada, and Australia. The Company's Web site can be accessed at http://www.wiley.com. The Company is listed on the New York Stock Exchange under the symbols JWa and JWb.
[ | E-mail | Share ] ?
AAAS and EurekAlert! are not responsible for the accuracy of news releases posted to EurekAlert! by contributing institutions or for the use of any information through the EurekAlert! system.
Public release date: 7-Jan-2013[ | E-mail |
Share ] Contact: Michelle Martella
201-748-6145
Wiley
Wiley is pleased to announce the publication of an up-to-date, concise resource for performing local anesthetic techniques in small animal patients.
Small Animal Regional Anesthesia and Analgesia provides practical, clinically oriented procedures for performing common locoregional blocks and is organized logically by body system.
The first book to draw information on this topic into one resource, Small Animal Regional Anesthesia and Analgesia is equally useful as a comprehensive reference and as a quick source of information with checklists and pictures to assist with performing various blocks in practice.
Small Animal Regional Anesthesia and Analgesia provides an invaluable tool for veterinary anesthesiologists and practitioners who incorporate local and regional anesthetic techniques into their small animal practices.
To speak to the editors or for a review copy of Small Animal Regional Anesthesia and Analgesia, please contact: Michelle Martella at Wiley Tel: +1 201-748-6145 email: mmartella@wiley.com
Small Animal Regional Anesthesia and Analgesia
January 2013 304pp
978-0-8138-1994-5 Electronic Editions Available
$124.99; CAN $136.99; 96; 79.99
About the Editors
Luis Campoy, LV, CertVA, DipECVAA, is a Senior Lecturer in the Section of Anesthesiology and Analgesia at the Cornell University College of Veterinary Medicine.
Matt Read, DVM, MVSc, DACVA, is an Associate Professor in the Faculty of Veterinary Medicine at the University of Calgary.
###
About Wiley
Founded in 1807, John Wiley & Sons, Inc. has been a valued source of information and understanding for more than 200 years, helping people around the world meet their needs and fulfill their aspirations. Wiley and its acquired companies have published the works of more than 450 Nobel laureates in all categories: Literature, Economics, Physiology or Medicine, Physics, Chemistry, and Peace.
Wiley is a global provider of content and content-enabled workflow solutions in areas of scientific, technical, medical, and scholarly research; professional development; and education. Our core businesses produce scientific, technical, medical, and scholarly journals, reference works, books, database services, and advertising; professional books, subscription products, certification and training services and online applications; and education content and services including integrated online teaching and learning resources for undergraduate and graduate students and lifelong learners. Wiley's global headquarters are located in Hoboken, New Jersey, with operations in the U.S., Europe, Asia, Canada, and Australia. The Company's Web site can be accessed at http://www.wiley.com. The Company is listed on the New York Stock Exchange under the symbols JWa and JWb.
[ | E-mail | Share ] ?
AAAS and EurekAlert! are not responsible for the accuracy of news releases posted to EurekAlert! by contributing institutions or for the use of any information through the EurekAlert! system.
Source: http://www.eurekalert.org/pub_releases/2013-01/w-sa010713.php
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Inception: Breaching Sanity
(Beware, there will be spoilers). Adriadne (actual spelling from movie) did not come back entirely for the creation, or to help the others, but because she had her own reason...which she now decides its time to address.
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This topic is an Out Of Character part of the roleplay, ?Inception: Breaching Sanity?. Anything posted here will also show up there.Topic Tags:
Forum for completely Out of Character (OOC) discussion, based around whatever is happening In Character (IC). Discuss plans, storylines, and events; Recruit for your roleplaying game, or find a GM for your playergroup.This is the auto-generated OOC topic for the roleplay "Inception: Breaching Sanity"
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Houston beats Bengals 19-13 in wild-card playoff
HOUSTON (AP) ? J.J. Watt swatted away passes, Arian Foster ran away from tacklers and the Houston Texans did just enough to knock Cincinnati out of the playoffs for the second straight year.
Matt Schaub made his postseason debut a successful one when Foster's 1-yard touchdown in third quarter helped the Texans to a 19-13 AFC wild-card playoff win over the Bengals on Saturday.
Now comes the big test. The Texans (13-4) move on to the second round on Jan. 13, when they visit the New England Patriots, who beat them 42-14 in Week 14.
Shayne Graham kicked four field goals for the Texans, while Foster finished with 140 yards and became the first NFL player to have 100-yard games in each of his first three playoff games. Watt finished with a sack and swatted away two of Andy Dalton's pass attempts, once wagging his finger at the Bengals quarterback after the play.
The Texans had trouble finishing drives and managed three field goals in the first half against the Bengals (10-7). Houston struck first after the break, with Foster scoring the game's only offensive touchdown to make it 16-7.
Schaub, who missed last year's playoffs with a foot injury, had an interception returned for a touchdown by Leon Hall before halftime.
"It was never easy," Schaub said. "Cincinnati is a great team. I made a turnover and gave them points. We just had to rally around each other and we did that."
Johnathan Joseph, a former Bengal, came up with an interception for the Texans, who kept Cincinnati without a playoff win since 1991, the league's longest current streak.
"I think it was a full defensive effort, everybody was flying around and we were getting off the field on third downs," Watt said.
Houston had struggled on third downs lately. This time, the Texans didn't let the Bengals convert a third down on nine tries.
The Texans rebounded from a terrible month where they lost three of four games and the No. 1 seed in the AFC playoffs. The win came in front of a record crowd of 71,738, including former Oilers great Earl Campbell.
"We like to run the ball and play good defense," Foster said. "It only takes one week to turn things around in the NFL and we did that."
Schaub shook off his first-half miscue to finish 29 of 38 for 262 yards.
The Bengals couldn't do anything offensively before the break, and were outgained 250-53 in the first half. Dalton was 4 of 10 for 3 yards in the first half. He finished 14 of 30 for 127 yards.
Houston piled up 351 yards and held the ball for 32 minutes through three quarters, but got into the end zone only once.
Dalton's 45-yard pass to A.J. Green got Cincinnati moving in the third quarter and set up Josh Brown's 34-yard field goal. When Dalton tried to go to Green again, Joseph intercepted and got the Texans in scoring range again as the quarter ended.
In last year's playoffs, the Texans trounced the Bengals 31-10, with Dalton throwing three interceptions.
The main difference in this one: Schaub was back in charge for Houston. Rookie T.J. Yates filled in for Schaub, got the Texans a win in their first-ever playoff game, but couldn't take them any farther.
On their second possession, the Texans started moving. Schaub completed an 18-yard pass, Foster had a 17-yard run and Keshawn Martin went 16 yards on a reverse, setting up Graham's field goal.
It became a pattern ? move the ball down the field, settle for three points. The fans started booing.
And then Schaub did the one thing he wanted to avoid ? he let Cincinnati's defense get its hands on the ball. Hall anticipated Schaub's throw, stepped in front and returned it untouched, high-stepping the last few yards, for the defense's fourth touchdown in the last four games.
Hall also ran back an interception 17 yards for the only Bengals touchdown in a 13-10 win over Pittsburgh that clinched a playoff spot. It was the first interception return for a touchdown against the Texans this season.
Like the Texans, the Bengals ended the season by hitting a wall on offense ? one touchdown in the last two games. The offensive woes continued on Saturday when the Bengals failed to score a touchdown on offense again.
___
Online: http://pro32.ap.org/poll and http://twitter.com/AP_NFL
Source: http://news.yahoo.com/houston-beats-bengals-19-13-wild-card-playoff-004716956--spt.html
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Sunday, January 6, 2013
Awkward Elephant Triumphs Again with ?Slipping? | Triangle Arts ...
Awkward Elephant Project will present the North Carolina premiere of ?Slipping? by Daniel Talbott Jan. 3-6 in Burning Coal Theatre Company?s Murphey School Auditorium in Raleigh
EDITOR?S NOTE: Jesse R. Gephart is a Raleigh, NC actor, director, and theater and music critic. To read all of his Triangle Review reviews online at Triangle Arts & Entertainment, click http://triangleartsandentertainment.org/author/jesse-r-gephart/.
It?s always a pleasure to watch budding artists grow and form, strengthening their talent. It?s more of a pleasure when they continue to share their abilities with hometown audiences.
Awkward Elephant Project, helmed by Raleigh-native Alex Tobey, is back for their third production. AEP, under the former title ?Necessary Dialogues,? gave a strong and memorable first impression with Stephen Karam and P.J. Papparelli?s columbinus, The Independent Weekly named Mr. Tobey a Best Director of 2010 and honored the columbinus cast as well as Best Ensemble. AEP?s second production, the original Blackout, as part of Burning Coal?s 2012 Politheatrics Festival, was also hailed.
But enough of the company?s lauded past; let?s talk about the present. Daniel Talbott?s coming-of-age story, Slipping, is currently on stage at Burning Coal Theatre?s Murphy School Auditorium; and it proves that not only did Awkward Elephant overcome the sophomore slump, but they seem to be gaining solid footing. Mr. Tobey?s direction here is clear and well executed: unique, bold, and even playful. One can only hope that the training he is receiving at Carnegie Mellon will further stabilize and expand upon the base he has already constructed.
Slipping is a story that should be seen, though it may prove a struggle for those with faint hearts or delicate sensibilities. But those are the very ones who should attend this story of queer youth striving, fighting; yearning for normalcy. William Bednar is Eli, a gay youth who is still reeling from the unexpected and violent death of his father when he and his mother, Jan (Christine Hunter), move from San Francisco to the Midwest, where she takes a new job at a university in Iowa.
In San Francisco, Eli had Chris (Alejandro La Rosa), an emotionally unstable and violent friend, who wishes Eli were a girl in order to justify the sexual feelings he has. This is the most troubling storyline, and frequently had my chest tight. It is troubling not because it is poorly structured or unnecessary to the plot, but conversely, it is incredibly vital to the understanding of what we do in order to achieve happiness or to feel accepted, what we will succumb to or endure in order to feel whole.
La Rosa delivers solidly, and gives Chris as much empathy as he can. You are never rooting for him ? in fact, at times, he deserves a swift kick in the crotch ? but you come to understand that he?s got a backpack full of problems that he carries around with him, and all he wants is to understand.
Bednar is an extraordinarily solid center around which this story rotates. He?s physically beautiful and beautiful to watch navigate Eli?s tumultuous journey. He has room to grow, he has footing to find, but his commitment and unflinching dedication keep Slipping from turning into an After School Special. Though he attends the University of North Carolina School of the Arts in Winston-Salem, I hope some local directors will take note of him.
In Iowa, Eli meets Jake (Matthew Mollenkopf), the All-American, sports-playing, doe-eyed dude. Jake?s own sexual awakening to Eli is not a new story being told, but it?s definitely sweet ? and it veers into something like a gay Lifetime movie at times, but I?m not one to shake a stick at a saccharine love story, especially one that allows me to relate so deeply.
When Eli pushes Jake away, you want to shake him, rouse him to see what he?s got standing right before him. When Jake shows up in the hospital room with flowers tucked behind his back, your heart swoons. ?The course of true love never did run smooth,? but it?s certainly worth watching these two opposites attract.
Through it all is mom, Jan (Christine Hunter), whose own sexual awakening in the form of younger men infuriates Eli; and we feel almost rightfully so. Jan loves her son, that?s clear: she inquires about any potential boyfriends; she pains to see Eli struggle; she wants both of them to be happy, to come out of the tragedy unscathed, though she knows that?s not possible.
Hunter turns in a fine performance, though she felt a bit wooden at times ? not as relaxed and settled as her other ensemble members. Whether this was a choice or an opening-night jitters, I?m not sure; but should she find her stride, the group would come together seamlessly.
Some of my only real hang-ups revolved around the technical elements: a jerky, strange lighting design by Kat Stephenson that threw colors on the floor or had instruments focused in odd areas. Whether it was actors not finding their light, or a designer who is still honing her craft, it needed some serious ironing-out.
There is also a problematic sound design with ambient sound that didn?t seem to match scenes at all: Eli had a stay in a very loud hospital that may have been near a motorway? And underscoring scenes in theater is a gamble and can come across like manipulation (?FEEL. HERE.?), but luckily most all of them work here. Strong costume design helps to flesh out and uniquely identify each character (I?m seriously jealous of Eli?s digs), though Christine Hunter?s heels could have been flats; her walk was so loud it was distracting.
Small quibbles aside, go buy your ticket to Slipping right now, and make sure to bring a friend or three. The small opening-night audience, though not altogether surprising, should have been more. This show deserves to be attended. You only have two more chances to see this wonderful production full of up-and-coming talent; I look forward to seeing more from Awkward Elephant Project and all the artists, and so should you.
Awkward Elephant Project presents SLIPPING at 8 p.m. Jan. 5 and 2 p.m. Jan. 6 in Burning Coal Theatre Company?s Murphey School Auditorium, 224 Polk St., Raleigh, North Carolina 27604.
TICKETS: $15.
BOX OFFICE: http://www.etix.com/.
INFORMATION: awkwardelephantproject@gmail.com.
SHOW: http://www.awkwardelephantproject.com/upcoming.html.
PRESENTER: http://www.awkwardelephantproject.com/.
VENUE/DIRECTIONS: http://burningcoal.org/murphey-school-auditorium/.
OTHER LINKS:
Slipping: http://www.dramatists.com/cgi-bin/db/single.asp?key=4157 (Dramatists Play Service, Inc.).
The Script: http://books.google.com/ (Google Books).
Daniel Talbott: http://oob.samuelfrench.com/index.php/daniel-talbott/ (Samuel French Off-Off-Broadway Short Play Festival).
EDITOR?S NOTE:
Jesse R. Gephart is a Raleigh, NC actor, director, and theater and music critic. This review is reprinted with permission from Triangle Review. To start your FREE subscription to this newsletter, e-mail RobertM748@aol.com and type SUBSCRIBE TR in the Subject: line.
To read all of Jesse R. Gephart?sTriangle Review reviews online at Triangle Arts & Entertainment, click http://triangleartsandentertainment.org/author/jesse-r-gephart/.
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Source: http://triangleartsandentertainment.org/2013/01/awkward-elephant-triumphs-again-with-slipping/
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